I figured out a new way to sell my book...well a copy here and there I suppose. I started going to local poetry Open Mic Nights and reading from my book, or I at least mentioning it. I also read poetry from this blog here. Some might question why I wasn't going to Open Mic nights before and doing this. The short answer, the ones I knew about were too far away at the time, and I didn't know about the closer ones. This year I have been able to travel a little farther and I learned about Open Mics in towns a little closer to me. I used to be in a lot of plays way back in the day in high-school. Reading poetry isn't exactly like being in a play, but it is a form of performing and I'm happy to be performing again in whatever form. Even with my disability I told you about a few blog posts ago (FND).
I've been writing poetry since I've been in elementary school, and I've been writing poetry with a goal to be published since high-school. My drama teacher ran the poetry club and gave of some of us students, or poetry club members, direction on how to read poetry out loud. So did my Speech coach when I read Edgar Alan Poe's poem, 'The Raven" for Serious Solo Interpretation. Some of the most important points are to:
- memorize your poem or poems,
- practice before you read in front of an audience,
- project your voice (even when talking softly),
- pause at all commas and periods and line breaks,
- if it's caps or an exclamation mark(s) do shout,
- if their are different people talking, do use voices and stand in different ways,
- at least pretend you're looking at the audience,
- and (if you can,) gestures are good.
I say 'if you can' to the gestures part because I mentioned reading "The Raven" in Speech and gestures were not allowed. However, I recently went to a poet laureate reading, and that man made gestures and it really made his poems come alive. I took a page from his book and did the same thing when making my YouTube video for "Talking Walls" which has been well received. It's always a good idea to learn from other people, especially award winning people.
You can actually look at the audience like I do when preforming, but honestly not many performers do. They might look at a spot on the back of the wall of the room, or in a small room situation, at people's foreheads just above the eyes. If you constantly have your eyes on your paper, it's harder for people to hear you.
Voices don't necessarily have to always be done, if you can't do them. (Unless you're in Speech like I was). Sometimes you can indicate a different speaker just by changing your stance. I forgot to do this at first when reading "Jack of the Future" at a poetry reading. But I kept going, (that's what you do even when you make a mistake when reading and performing), and did much better. I didn't do voices, just shifted. When I read it again, I'll try to do voices. This poem was very well received. It's currently on this blog, but I may have to take it off, because I might want to submit it for publication elsewhere. I just didn't like the title and it feels odd rewriting a nursery rhyme for publication...but it works.
So, when an author writes poetry, how they write it also indicates how it's meant to be read (according to the drama teacher I told you about). So everything in caps is shouted, that's probably where the whole "shouting' in text form came from. A bunch of exclamation marks is a bunch of emphasis! As are italic and bold lettering. It's part of why grammar might not matter in poetry, because the grammar is supposed to be spoken and we don't all walk around speaking perfect English. Especially when emotions are high, which poetry is often about. I wrote a previous blog post called "The Importance of the Pause" which in poetry is indicated by commas, periods, line breaks, a new paragraph, a dash or dashes, ..., and hopefully you get the idea. Do pause. It might seem like things are going slowly, but that's okay. Sometimes that can really make an impact on what you read. And sometimes you have to be prepared to do unscripted pauses for the audiences. They might clap or laugh or gasp in the middle of your poem. It's a talent some have to learn, and it is something I'm learning. And don't feel bad if you expect a reaction and it doesn't happen. It might be an awkward pause, but that's okay, just keep going. Also, while I was reading some of my poetry in the front of a crowd, I lost my place. I just paused and it didn't hurt the poem, it perhaps added a little extra to it.
I lost my place because I was looking at people. I was looking at people so they could feel like my poem was speaking to them. In order to get the people to feel like this, I also had to speak up so they could hear the poem. Sometimes there are microphones, but not always. And sometimes the microphones aren't working. Unfortunately, it's hard to teach voice projection by writing about it. Don't shout, but talk like you're trying to hold a conversation with someone in the back of the room. You can even do this in a loud whisper. As I said before don't look at your paper the entire time...but if you can't help it, so be it.
I read this poem I really liked about myself that's 4 pages long in Word. That's really long for a poem. Looking at the people, I saw that they seemed bored and I got embarrassed. I stumbled over my words and stuttered. I went back to my seat starting to feel dejected, but someone tells me it was cool. Then a guy who reads after me, reads (very well and seemingly without any mistakes) about having a stuttering problem. He had written a poem to his speech therapist. He tells me I did a good job even though I stuttered through my poem and he did not through his. Even when you mess up, people can be very understanding and surprise you, so be brave. A lot about poetry is being brave. I did not have this poem, "Have Them Write Poet Upon My Grave" memorized, but I had practiced it...but not enough.
If you want to perform in front of someone, it's always a good idea to practice that performance. It just helps makes things run more smoothly. You're less likely to make mistakes (though not immune). If you're in a play there are lots of rehearsals! Just practicing once or twice, like I did with this 4 page poem, is not enough. Give it at least a few goes on a few different days. Sometimes when poets read, you can tell who has practiced, and who hasn't. Most people around where I live have. Practice helps you memorize poems.
Now I know I said to memorize your poems at the beginning of this blog post, but recently I have not been able to. I really tried with "Talking Walls". And that was just one poem, poets usually read 3-4 poems at Open Mic 🎤 around here. However, I went to a NAMI (National Alliance for Mental Illness) poetry "reading" in Seattle and all the poets had their poems memorized. It was so amazing, I really would like to be able to perform my poems like that. I'm getting older now, and my old tricks aren't working now. I usually read the 'lines', (or poem,) silently 10 times, 10 times out loud, 10 times out loud with gestures or acting it out...all in a row. Yes, for a total of 30 times reading the same thing. And then repeat the process with peeking until I really have it down. Until I can speak it without peeking. You may have a trick or two yourself on memorization. In Serious Interpretation, I read "The Raven" so many times for competition I had it memorized by the end. I don't have it memorized anymore, unfortunately, (just some bits and parts of it).
And finally, just go to poetry readings and see what those poets do. I discovered that the poets around here are wonderful. For the first time, I learned who the winners of a contest I entered were (when it wasn't myself). I did not win that poetry contest I told you about in a previous blog post this year that I said I would enter. However, I do not do feel bad at all. After going to various poetry readings in the area, I've learned the poets around here are extraordinary. I'm sure the two guys who won are too, and perhaps I'll get to see them during La Conner Washington's Poetry Festival in October. So whether you're just watching, or if you're reading yourself, go enjoy a poetry reading in your area; you might learn something!





























